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Producer: Salomón Rey Rodriguez

Producer: Salomón Rey Rodriguez

Location: Sola de Vega, Oaxaca

Mezcals: Tobalá en Barro, Ensamble en Barro, Arroqueño

The palenque and agave fields of Salomón Rey Rodriguez or “Tío Rey” (Uncle Rey) are located in the famous Mezcal region Sola de Vega. This town is the most famous spot in the world for Agave Tobalá. The region distills almost exclusively using clay pots “Olla de Barro”. 

Tío Rey’s town of Gulerá is about 15 minutes up the valley and is part of the municipality Villas Sola de Vega. The lush mountain valley is a 2.5-hour drive from Oaxaca and sits at 1450 M above sea level. (16°28'44.72"N 96°57'42.80"W).

Tío Rey has a great supply of spring water that flows year-round and contributes to his unique flavor. The mineral rich soil and relatively cooler climate make for a perfect spot for growing a variety of Agave. Sola de Vega has the most diversity of agave in Oaxaca and therefore the world. Salomón Rey has at least 15 varieties of agave that he cultivates, including: Espadín, Coyote, Arroqueño, Mexicano, Tobalá, Sierra Negra, Madre Cuixe and Barril.

Sola de Vega agave maturation times:

Espadín - 7 -9 years

Mexicano - 7- 9 years

Aroqueño - 9 - 13 years

Coyote - 5 - 8 years

Sierra Negra 15 -20 Years

Tobalá - 8 - 15 Years

The still (palenque) is at Tío Rey’s ranch where he lives full time with his family. He built it approximately 10 years ago from parts of an older palenque that was his fathers. It moved around from nearby locations over the years. The lineage of Mezcaleros in Tío Rey’s family could arguably go back thousands of years.

Tío Rey has never produced Mezcal commercially before Mezcal Vago and produces Mezcal exclusively for Mezcal Vago.

Tío Rey’s batch sizes are anywhere from 100 liters to 450 liters. He has two classic earthen ovens that can each hold around three tons. One oven is the normal dug out hole in the ground and lined with large River rocks and the other is dug straight into bedrock. He roasts each batch for 2 to 3 days.

Tío Rey's Canoa and Mazo

Tío Rey's Canoa and Mazo

The cooked agave is hand ground with wooden mallets called mazos. The roasted piñas are chopped slightly with a machete then the pieces are placed on a wooden platform and pounded with the mallets. The whole family does this, grandma, grandkids, and wife, everybody 12 hours straight.  An incredibly laborious technique but they are sure the flavor is better this way when not molested by such modern technology as a cement wheel and horse!

Tío Rey's Fermentation Tanks

Tío Rey's Fermentation Tanks

Tío Rey has three fermentation vats. Two are typical vats, cylindrical and made from pine. The third and most used is the old style. It’s a trunk of a large Pino Sabino (Pine tree) hollowed out in the shape of a canoe and has been in use for 90 years!

For distillation, Tío Rey uses a series of clay pots. The clay pots are called “Olla de Barro” in Spanish. That is why Mezcal Vago refers to its Mezcals as “en Barro.” They hold about 50 liters each. Each pair of pots shares a fire. The stills are made of stacks of two pots. One that holds the mash and has an open top, and another with an open bottom that rests on top of the first one. On the top pot there is an upside-down stainless steel bowl that water continually runs in and out of. When the heat from the mash rises and hits the cool top created by the water, condensation occurs. An agave leaf works as a large spoon to catch the dripping condensation (Mezcal) and runs into a piece of bamboo and into the collection container.

Tío Rey's Ollas de Barro

Tío Rey's Ollas de Barro

This whole process is really laborious and takes probably 4 times the effort of a copper still and stone tahona process. Tío Rey never waters back his Mezcal, he uses just “puntas and colas”. Cuts are made by taste and smell.

All of Tío Rey’s Mezcal go through a simple triple sediment filtration through tubular cellulose filters. The bottling is done by hand in the city of Oaxaca by Aquilino’s son-in-law, Judah Kuper. The light filtration is the only way the Mezcal is affected between how it was made on the palenque and how it ends up in the bottle.

Cobre y Barro

Cobre y Barro

Producer: Aquilino García López

Producer: Aquilino García López

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